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| The
dScope Core Module is the central access point to
all the functionality of all modules of dScope.
The Core Module contains all the basic image management
and image modification capabilities of the system.
The Core Module also contains the "Transform
File" capabilities that are central to many
uses of dScope. These functions are used in many
ways by all the other modules to perform their required
functions. As a result, the Core Module is essential
to any implementation of dScope. This page covers
some of the capabilities included in the core module.
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Mass Image Management
Image Modification
Transform Files
Cropping
Overlays
Proof Sheets
Contact Sheets
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Mass Image Management
| You
can load any number of images into dScope and
treat those images as a "working set".
Images in a working set can be modified individually
or as groups.
The
images can be sorted for easy grouping and selections
can be made individually, by page or you can select
and deselect all the images in a working set.
You can control how many images are shown on each
screen so that you can get the best trade off
between number of images viewed and the size of
each thumbnail.
You
can import multiple groups of images into the
same working set so that you can gather images
from a number of different sources and locations
into a single working set.
Double
clicking any image will display a full sized version
of that image and allow you to perform fast modifications
to that single image. To perform complex modifications
or to modify multiple images, you can use the
Modify button. |
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dScope
makes its own working copy of every image in the set.
This means that you can work on the images without fear
of modifying or damaging the original images. After
manipulating the images in a working set, you can choose
to print them, save them or discard them. The only way
the original images will be modified is if you specifically
choose to save the modified images over the originals.
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Image Modification
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You
can modify any single image very quickly by double
clicking that image and then selecting to open
a modification screen. This will allow you to
perform all the basic colour modifications including:
- Red,
Green and Blue channel adjustments,
- Brightness,
- Contrast,
- White
Point,
- Black
Point,
- Mid
Point
The
image is shown at any size, including full screen,
while you make these adjustments. |
| You
can modify multiple images or perform complex
changes to a single image by selecting the appropriate
image(s) and clicking the modify button. There
are a number of modification options, but the
most common series of changes are in the Transform
menu. Modifications that can be made ion this
area include:
- Colour
channel adjustments
- Brightness
- Contrast
- Sharpening
- Black/White/Grey
point adjustment
- Hue,
Saturation and Luminosity
- Greyscale
and Sepia conversions
- Borders
- Masking
- Colour
Range limitations
- Print
Borders
- Image
On Image
- Text
Overlays
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Transform Files
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Transform
files are one of the most powerful capabilities
of dScope. A transform is series of image modifications
that are performed in a particular order to create
a desired presentation of an image. Every time
the user performs any changes to an image in the
above image modification screen, all the changes
they make to the image are recorded as a transform.
After the changes are complete, the user can choose
to save those changes to a file so that they can
be used again either in the core module or in
other dScope modules. There is no limit to the
number of individual modifications that can be
included in a transform file, and any individual
type of modification can be used any number of
times within a transform.
The
image to the left is created using a transform.
This transform has been created for a wedding
photographer who would like to present the proof
images to the customer in a more professional
looking format than a simple full image 6X4.
In
a single step, the transform will:
- Place
a 1% white border around the image overwriting
the image edge to clear any inconsistencies
in the edge of the image file.
- Place
a 1% border around the image retaining the image
size and fitting the full image inside the border.
- Place
a 12% border around the image retaining the
image size and fitting the full image inside
the border.
- Insert
the photographer's logo at the top aligned with
the image edge.
- Insert
the photographer's name at the bottom aligned
with the image edge.
- Insert
the photographer's contact number at the bottom
aligned with the name.
- Place
the image file name at the bottom with no extension
(528) so the image can be easily referenced
back to the file.
- Place
the text 'Image No' in front of the file name.
- Overlay
a softened edge mask in teal grey.
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| Once
the transform has been saved, it can be used in
many places within the dScope modules. In the
core module you can load any number of images,
select them all and then apply the transform to
modify every one of those images to create a copy
of that image in the same style of presentation.
In the case of the transform discussed here, the
photographer brings in all the images from the
wedding on a CD or DVD. The CD/DVD is loaded into
dScope and the transform is applied to them all
and the resulting images printed.
Using
dScope the lab operator is able to provide the
photographer with a highly personalised service,
a much improved product, and offers a presentation
the photographer can only get by printing through
that lab.
dScope
can save an unlimited number of transform files. |
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Cropping
| dScope
has two cropping options built into the core module.
The Free Crop can be used to crop to any size
required.
The
Proportional Crop is used by selecting the size
of the print you wish to crop for. As you move
and resize the crop box, dScope will assure that
the aspect ratio of the crop box always matches
the aspect ratio of the print size you are cropping
for. |
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Overlays
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The
overlay function is an extended version of the
"Blue Screen" function used in television
and other imaging. It allows you to lay one image
over another, and select what part of the overlaying
image will be transparent.
In
the example on the left, an overlay has been used
to place a photographer's brand on an image. The
overlay image is on the far left and has the branding
on a clear yellow background. The overlay file
is placed over the image file and the yellow colour
is selected to be made transparent. This creates
the lower image.
The
colour which will become transparent in the overlay
file can be selected, and the "flexibility"
can be adjusted. This controls how close the colour
of any pixel has to be to the selected colour
for that pixel to become transparent.
Like
most other functions in the core module, an overlay
can be applied to any number of images in a single
step. |
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Proof Sheets
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dScope
has a very flexible proof sheeting capability
that can be used to create highly personalised
proof sheets for customers. The settings you can
choose for a proof sheet include:
- The
size and number of pages to spread the images
over.
- How
far the images should be placed away from the
top, bottom left and right borders (these can
be set individually to allow for binding etc).
- How
far apart you want the images to be from each
other in the body of the proof sheet.
- If
you want to place a branding image or some text
on each page to identify the customer, or your
business.
- A
background image or a background colour.
- The
content, font, size and colour of image labels
(including no labels).
- Effects
to be added to each image including borders
and drop shadows.
- A
title to be placed at the top, either as text
in a particular font, or as an imported image.
- Rotating
all images to either Portrait or Landscape.
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The
example on the right shows a simple proof sheet
placed on a background image and with title text.
The images have a fine white border and a darker
drop shadow applied and the file name is placed
under each image.
dScope
has automatically adjusted the number of images
in each row to create a balanced page. |
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Contact Sheets
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Contact
Sheets are very similar to Proof Sheets except they
have a much more regimented structure. You define
the number of images you want in each row and how
many rows to place on each page. Most of the same
options that are listed above for Proof Sheets are
also available when building Contact Sheets. |
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